Excuse me while I gush about Vengeance Road, by Erin Bowman! I absolutely adored this book! Plus, that cover!?! Swoon! I want to get the cover designer for one of my next books!
When her father is murdered for a journal revealing the location of a hidden guild mine, eighteen-year-old Kate Thompson disguises herself as a boy and takes to the gritty plains looking for answers–and justice. What she finds are untrustworthy strangers, endless dust and heat, and a surprising band of allies, among them a young Apache girl and a pair of stubborn brothers who refuse to quit riding in her shadow. But as Kate gets closer to the secrets about her family, a startling truth becomes clear: some men will stop at nothing to get their hands on gold, and Kate’s quest for revenge may prove fatal.
Nothing in Vengeance Road is particularly novel or new. In fact, the book seems to run through several comfortable old tropes: girl disguises herself as boy (I did that one in my own book!), teen finds out there is something mysterious about her family after it’s too late, girl can’t stand cute boy until she realizes she can’t live without him, the Western trope of the search for gold and buried treasure. But, but, this is the perfect example of how old tropes can be phenomenal if they are executed well. And boy, are they executed well.
As a writer, you strive for an authentic voice for your character, which is often an ephemeral “you know it if you see it” (as in a failure of voice is only conspicuous in its absence). Not this book. The voice makes the book. The main character, Kate, sounds like she’s from the old west. The way she thinks, the way she talks, the euphemisms she uses. Here’s a quote:
“The bartender’s right ’bout one thing–the place is busy considering it’s the Lord’s day. What the stout fella don’t seem to realize is that a strong drink can numb the soul good as any prayer. Hell, I muttered ‘Oh, God’ ’bout a dozen times after I found Pa swinging, and it ain’t like it brought him back to life.”
The whole book is like that, It’s really fun to read.
Kate’s a great character, tough, determined, single-minded to a fault. She doesn’t want any help in her wild quest to avenge her Pa, knowing that it will probably spell her doom. When Jesse and Will refuse to let her travel alone, the friction between them is both comical and poignant. The romance that blooms between Kate and Jesse is sweet and believable, without being over the top. Waylan Rose and his Rose Riders make passable villains–tough, scary, cruel. We don’t actually see much of them, but they are bad-ass enough fill Kate’s journey with suspense and drama.
Bowman also does a great job of exploring the historical setting of this novel, in 19th century Arizona. The conflict and distrust between settlers and Native Americans plays an important role in the story and an interesting backdrop to the rest of the plot.
My main complaint, if I had one, would be that the plot is a bit predictable at times, especially the big revelation at the end, which I kinda saw coming. But, like I said, that’s not much of a complaint, because the prose and the characters were so enjoyable that I loved every minute of it!